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    <subfield code="a">Morrison, Toni.</subfield>
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    <subfield code="a">Home</subfield>
    <subfield code="h">[Libby eBook].</subfield>
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    <subfield code="b">Knopf Doubleday Publishing Group, </subfield>
    <subfield code="c">2012.</subfield>
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    <subfield code="a">Format: OverDrive Adobe EPUB eBook, Filesize: 1924kB.</subfield>
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    <subfield code="a">HTML:&lt;p&gt;The latest novel from Nobel Prize winner Toni Morrison.&lt;br /&gt; &lt;br /&gt; An angry and self-loathing veteran of the Korean War, Frank Money finds himself back in racist America after enduring trauma on the front lines that left him with more than just physical scars. His home--and himself in it--may no longer be as he remembers it, but Frank is shocked out of his crippling apathy by the need to rescue his medically abused younger sister and take her back to the small Georgia town they come from, which he's hated all his life. As Frank revisits the memories from childhood and the war that leave him questioning his sense of self, he discovers a profound courage he thought he could never possess again. A deeply moving novel about an apparently defeated man finding his manhood--and his home.&lt;br /&gt; &lt;br /&gt; This eBook edition includes a Reading Group Guide.&lt;/p&gt;.</subfield>
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    <subfield code="a">"Morrison packs a powerful narrative punch. . . . [Her] depiction of the delightful ways black men engage in verbal banter to exchange personal and collective memories, and the poignant ways black women stand on their faith to deploy survival strategies only they could design, makes this a novel that begs rereading. She movingly describes people who survive and thrive, even when life deals them painful, mean blows. . . . [T]he beauty of Morrison's language and her profound truths about life and living compel one to run the page and keep reading. This 10th novel shows that the author is still questioning what we think we know when we think we know someone.".</subfield>
    <subfield code="2">HTML:Marilyn Sanders Mobley, &lt;i&gt;Ms. Magazine&lt;/i&gt;.</subfield>
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    <subfield code="a">HTML:"Short, swift, and luminescent . . . The music of Morrison's language, with its poetic oral qualities, its ability to be both past and present in one long line, requires a robust structure, a big space; a small auditorium simply does not suit it. &lt;i&gt;Home&lt;/i&gt;, then, is . . . a remarkable thing: proof that Morrison is at once America's most deliberate and flexible writer. She has almost entirely retooled her style to tell a story that demands speed, brevity, the threat of a looming curtain call.".</subfield>
    <subfield code="2">HTML:John Freeman, &lt;i&gt;The Boston Globe&lt;/i&gt;.</subfield>
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    <subfield code="a">HTML:"Powerful . . . &lt;i&gt;Home&lt;/i&gt;, the latest novel by Toni Morrison, is almost eerie in its timeliness. Set in the 1950s, it does not evoke the martini and pinched waist nostalgia of &lt;i&gt;Mad Men&lt;/i&gt;. Rather, it calls to mind the plight of today's veterans returning from the Iraq and Afghanistan wars. . . . A hallmark of Morrison's magic is the way that her imagination engages critically with several subjects simultaneously, but &lt;i&gt;Home&lt;/i&gt; is particularly intriguing because it also seems to.</subfield>
    <subfield code="2">HTML:Tayari Jones, &lt;i&gt;San Francisco Chronicle&lt;/i&gt;.</subfield>
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    <subfield code="a">"Part of Morrison's longstanding greatness resides in her ability to animate specific stories about the black experience and simultaneously speak to all experience. It's precisely by committing unreservedly to the first that she's able to transcend the circumscribed audience it might imply. This work's accomplishment lies in its considerable capacity to make us feel that we are each not only resident but co-owner of, and collectively accountable for, this land we call home.".</subfield>
    <subfield code="2">HTML:Leah Hager Cohen, &lt;i&gt;The New York Times Book Review&lt;/i&gt;.</subfield>
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    <subfield code="a">"The story of the warrior's struggle to return home is classic, but Nobel laureate Morrison imbues her tale with twists that make the journey more challenging and Frank Money's success less certain. . . . As usual, Morrison's writing is both lyrical and earthy and, although spare, dense with hints and meaning. This is a book that can be read in one long sitting, and probably will be . . . [A] satisfying, emotional . . . textured, painful and ultimately uplifting story.".</subfield>
    <subfield code="2">HTML:Anne Neville, &lt;i&gt;Buffalo News&lt;/i&gt;.</subfield>
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    <subfield code="a">HTML:"Gorgeous and intense, brutal yet heartwarming . . . like a slingshot that wields the impact of a missile. . . . &lt;i&gt;Home&lt;/i&gt; is as accessible, tightly composed and visceral as anything Morrison has written. . . . [Her] shorter, more direct sentences have the capacity to leave a reader awestruck. . . . Devastating, deeply humane, ever-relevant.".</subfield>
    <subfield code="2">HTML:Heller McAlpin, &lt;i&gt;NPR&lt;/i&gt;.</subfield>
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    <subfield code="a">HTML:"In this slim, scathing novel, Morrison brings us another quintessentially American character struggling through another shameful moment in our nation's history. . . . &lt;i&gt;Home&lt;/i&gt; is as much prose poem as long-form fiction--a triumph for a beloved literary icon who proves that her talents remain in full flower. Four stars.".</subfield>
    <subfield code="2">HTML:Meredith Maran, &lt;i&gt;People&lt;/i&gt;.</subfield>
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    <subfield code="a">HTML:"&lt;i&gt;Home&lt;/i&gt; showcases a writer at the height of her powers in evoking a moment and its historical counter-currents. And it ranks among [Morrison's] most readable stories. It is also, like so many of her novels, a book certain to reward rereading: you can go &lt;i&gt;Home&lt;/i&gt; again. And you should.".</subfield>
    <subfield code="2">HTML:Jim Cullen, &lt;i&gt;History News Network&lt;/i&gt;.</subfield>
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    <subfield code="a">HTML:"Beautifully wrought . . . [&lt;i&gt;Home&lt;/i&gt;] packs considerable power, because the Nobel Prize-winning author is still writing unflinchingly about the most painful human experiences. There's nothing small about the story she's told with such grace in these pages.".</subfield>
    <subfield code="2">HTML:Steve Yarbrough, &lt;i&gt;The Oregonian&lt;/i&gt;.</subfield>
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    <subfield code="a">"Morrison writes about psychological violence with an engineer's precision and a poet's expansiveness.".</subfield>
    <subfield code="2">HTML:Tyrone Beason, &lt;i&gt;The Seattle Times&lt;/i&gt;.</subfield>
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    <subfield code="a">HTML:&lt;p&gt;"Perhaps Morrison's most lyrical performance so far."&lt;/p&gt;.</subfield>
    <subfield code="2">HTML:Christopher Benfey, &lt;i&gt;The New York Review of Books&lt;/i&gt;.</subfield>
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    <subfield code="a">Importer Version: 2014-01-08.01 Import Date: 2015-08-11 10:13:24.</subfield>
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